Ever had a director say “make it bigger” and thought... what does that actually MEAN?
Judith Weston’s “Directing Actors” is basically a translation guide. It teaches you what directors are actually asking for when they give vague notes.
Essential reading for any actor who wants to speak the same language as their director.
What’s the most confusing direction you’ve ever gotten?
Comment below!👇🏻
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“When in disgrace with fortune and men’s eyes…”
Every time I return to Sonnet 29, I’m reminded why classical training matters. The language demands precision. The emotional journey is universal — isolation, despair, and transformation.
Feelings I think everyone can relate to.
What’s a piece that stays with you? Let me know in the comments.
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Not your typical acting book recommendation.
If you want to practice genuine in-the-moment reactions to unknown circumstances while developing fully realized characters from scratch - all by yourself - sometimes it’s fun to look outside traditional actor training.
What unconventional methods have helped your craft? Drop a comment.
#ActingCraft #ActorTraining #CharacterDevelopment